The Standby switch mutes all channels e.g. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The display range covers 40 dB what is shown is the level in dBu at the master outputs. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. In the Master Section, too, the PowerMate is lavishly equipped. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.Īll potentiometers and faders are high-quality components from ALPS. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.Įach channel offers a Signal Present and Peak LED for level control. In all, 6 AUX busses are available:Ģ (FX) are assiged to the two effects sends Ģ (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section Ģ (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. The Gain can be controlled in the range 0-60 dB.
The Line Input and Channel Insert are implemented as jack sockets. The +48V phantom power for condenser microphones can be switched in groups of six. The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. MICROFONI LIVE PER STRUMENTI & WIRELESS SYSTEM.
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